Striptease in Noir has been crafted as a gnostic burlesque tract that unveils the occult majesty of the sacrament that is the striptease. Language shifts between the rat tat dialogue of criminal enterprise, the crack vernacular of backstage burlesque life in Los Angeles of the Nineteen Forties. Burlesque performers will revel in the recapturing of the sleazy sawdust of yesteryears vaudevillia, and immediately recognize the archetypical characters drawn in SIN, the travails of burlesque and showbiz and its cold brutality. The illusional conceit of Male control, and female ascendancy, with desire as an inflammable oil that incinerates not just flesh but soul of both performer and rube. Lovers of Crime Noir will wallow in the scenarios of legendary crime czars, and the tentacles of the Mobs intrusion into all the commercial and business in post war America.S.I.N. also extends the NOIR paradigm beyond the usual cliches of merely physical demise of the anti-hero, according to the prescribed rules of Americana Pulp, but reasserts its real hermetic roots of Greek Godess worship / and Abbisynian myths, updated and recoutoured to the seamy neighbourhood of Los Angeles Burleycue 1947.