The project “Medea’s suite” was written initially as soundtrack to the eponymous work of Jean Anouilh (from ancient tragedy), which was staged by an amateur troupe of University students. I was captivated by the entire play’s plot and mentally I traveled to the ancient, mythical, heroic times. I let myself free to become ecstatic, to imagine, to see the images and hear the sounds and beats of this exciting tragedy. So after an introduction, I imagined DANCE before lovemaking, THE LOVEMAKING, the EXCITEMENT, the COMPLAINT, the relaxation-LULLABI, the mysterious calm of the Night, the colors and sounds of DAWN and THE EPILOGUE. In my mind were the sounds of PERPETUAL GREECE, as I subjectively imagined them. That is why in the same book, on the same disc, I wanted to include my sonata titled '’GREEK SONATA”, as a guide to which I had again the Greek musical tradition. I chose violin and guitar, because their sounds were the most suited for these projects in my imagination.