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OPERA IN THE NOVEL FROM BALZAC TO PROUST


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    Sinopse

    The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.

    Detalhes do Produto

      • Ano de Edição: 2011
      • Ano:  2015
      • País de Produção: United Kingdom
      • Código de Barras:  2000172402907
      • ISBN:  9780511994142

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