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suffer her to adore him, but like many an artist who has produced a masterpiece of idealisation she shrank from exposing it to public criticism. It was the portrait of a gentleman rather ugly than handsome and rather poor than rich. But his ugliness was to be nobly expressive and his poverty delicately proud. She had a fortune of her own which, at the proper time, after fixing on her in eloquent silence those fine eyes that were to soften the feudal severity of his visage, he was to accept with a world of stifled protestations. One condition alone she was to make—that he should have "race" in a state as documented as