Finally available, a high quality book of the original classic edition of Violet Forster's Lover. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by Richard Marsh, which is now, at last, again available to you.
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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Violet Forster's Lover:
Look inside the book:
Tickell's last raise had been a hundred pounds; Beaton had covered the bet with an I.O.U. for £100 to see him; the hand he had exposed was, of course, the better one; there was a large sum of money in the pool, much the largest which it had as yet contained; if it was his, then it would probably more than set him on his feet again. ...At times, as she glanced at the man beside her, her face was lit by a smile which made it even more than pretty, then the smile went, and was succeeded by an expression which had in it something hard and cruel and even sinister; but even then, after some uncomfortable fashion, it was a handsome face, though scarcely one which one would have chosen for a friend. ...She was observing him closely enough; one felt that nothing about him escaped her scrutiny--that she noted the well-cut clothes as well as the state that they were in; the hand which dangled helplessly by his side, that it was not that of a man who had done much manual labour; the face, which, unshaven and unwashed though it was, was not only a handsome one, but also the face of a man of breeding.
About Richard Marsh, the Author:
A story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting, Marsh's novel is of a piece with other sensational turn of the 19th to 20th century fictions such as Stoker's Dracula, George du Maurier's Trilby, and Sax Rohmer's Fu Manchu novels. Like Dracula and many of the sensation novels pioneered by Wilkie Collins and others in the 1860s, The Beetle is narrated from the perspectives of multiple characters, a technique used in many late 19th-century novels (those of Wilkie Collins and Stoker, for example) to create suspense and to confuse gender boundaries.