Vol. 1 of the Lipstick and War Crimes Series introduces us to the hidden and amazing world of organized social engineering and how it effects our lives and our futures.
Vol 1. has also been produced as editions for various demographic groups. The book is a non-profit project as part of the tipping point mission of Kauai Transparency Initiative. The author encourages the reader to give your copy of ebook away to others. They will not be disappointed by the new knowledge you share.
Geared to reach a younger audience, the Series covers most of the celebrities and musical artists of our times, and explains how they became famous, who made them famous, and why. This gets very personal when we consider the way we have been influenced since childhood and how we think of ourselves as women and men. Older readers will be blown away and have a tool to reach younger members of their family. Younger readers will have tools to reach their parents.
CAST OF CHARACTERS: “Mother of Feminism” CIA agent Gloria Steinem, Jane Fonda,
Albert Einstein, Madonna, Obama and his true father, Shirley MacClaine, lesbian Katherine
Hepburn, Henry Kissinger, secret elitist Oprah Winfrey, Alice Walker, CIA Hugh Hefner, Kate Upton,
Warren Beatty, Katy Perry, Soviet defector Yuri Bezmenov, Hillary Clinton, Beyoncé Knowles,
Papua New Guinea, Miley Cyrus, Jay-Z, Marilyn Monroe, Gaga, Warren Buffet, Shakira, Christina
Aguilera, Hero Cathy O'Brien, Fukashima, Pharrel Williams, Angelina Jolie, Bill Gates, Elizabeth
Taylor, Nelson Mandela …
"The book brings dry to wet and wet to dry ... no genre works to describe it." - Sandra Bains
"Finally, spirit for environmentalists and down to Earth talk for New Age." - José Rodriguez
"I showed my husband, an Iraq veteran, Ray's photo taken with the USS Liberty survivor. That got his attention." - Nancy Cheles
"Every woman should read this. The narratives in our heads are not ours!" - Debbie Lee
From the Preface : "Tricia Jenkins, author of The CIA In Hollywood, told DailyMail.com she has recently acquired new evidence showing how the CIA worked off-the-books to influence Hollywood scripts to an extent never previously known. She said: 'In this documentation, concerning one major Hollywood movie, it is clear that the CIA functioned as the principle partner in shaping the original script and its influence exceeded that which would have been filled by an aggressive producer or studio executive.'"
Confused about the script? You won't be.