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JEAN JACQUE ROUSSEAU'S DOCTRINE OF THE ARTS


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    Sinopse

    This book sets out Rousseau's theoretical statements on the arts - music and opera, theatre, fiction, poetry, the visual arts and dance. These statements are seen in terms of the phases of his intellectual development - the early years, the social criticism of the 1750s, the future-orientated theory of Emile and other texts, and finally the increasing self-scrutiny. This approach, conscious at all times of the element of personal commitment in his thinking, permits a sympathetic understanding, if not a resolution, of the famous paradoxes. The chief of these, his simultaneous condemnation and practice of drama, music and literature, is seen less as a personal contradiction than as a pointer to the ills of society which outrage him.

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